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A touch of red ... Calla

Always on my Christmas star a little picture with a touch of red ...

Red leaves,

2010 Oil on wood, 12,5 x15

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Today I painted very quickly this passage to show it to some friends who came to painting in the studio with me. To paint every day squared speed helps a lot and is a workout that I recommend to everyone. Just as it is very useful for athletes to train in the race even though his specialty is something else, so is the painter with the design sketches or paintings Fast ... This training is very useful and makes it "quick and fast" in the works of long working with challenging dimensions.

Calla, 2010

Oil on wood, 12,5 x15

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Clementina

Clementina, 2010

Oil on wood, 12,5 x15

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Poinsettia

... After a few days without the brushes, to use hand and color, I dived between the petals of the Poinsettia

Red

2010 Oil on canvas, 20x24

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SIRONI

A scene from the suburbs with the smokestacks of factories and the passage of the trolley cars that reads a famous painting by Sironi, Urban Suburban 1927. A reading that differs, at least this feeling, for greater color gamut.

Oil on masonite, unsigned, that the state of painting (which has been flaking, especially at the bottom) and for the support, and relations between the late '40s and '50s .

It is therefore as likely to work "style" even if the time of execution is quite suspicious, given the years of silence that characterized the figure Sironi, accused of membership to Fascism and not much loved by the young artists. Does anyone know if this person had made the same Sironi more variations?

Note: Origin, Milan, 80.

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a small square. Indeed, a tablet of wood, precious. 50s oil. With a clear reference to Afro, but probably a very different hand. Of excellent quality. That makes you want to discover the author ...

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Balocco ... from the course ...

... always from the course and quite quickly ...

Balocco, 2010

Oil on canvas, 12,5 x15

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Mandarin ... from the course ... Light

... always from the course and quite quickly ...

Mandarin, 2010

Oil on wood, 12,5 x15

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In many paintings of fantasy I realized the night, not in those from the truth because it is a bit 'more difficult to organize (to see the canvas is a light and then you lose a little' dark ...) but these days I tried and I painted the mandarins and this candle.

While feeling a person who loves light and the brightness I liked the dark because it emerges and also enhances ; feeble light. This candle I painted the "dark" only its light lit up the Christmas atmosphere of toys and a small light in the room very discreet, softly illuminating the painting.

It happens so (often in real life) to see the light must be a bit 'in the dark and begin to open their eyes.

Light,

2010 Oil on wood, 12,5 x15

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Mandarins

After so much white snow I felt the desire for a bit 'of warmth and intimacy and

then, with soft lighting and warm colors here that I like ...

Mandarins

2010 Oil on wood, 12,5 x15

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The great beech - snowing.

snows on the big beech ...

I welcome you with open arms,

2010 Oil on canvas, 90x109

The great beech welcomes with open arms the snow and the snow ... envelops the two lovers dancing.

you remember the beginning of the picture Milonga I posted in this blog some time ago? Well, since I need a big canvas, and this was available ...

Tattoos Of Pebbles And Bambam

A "C from the chest" forgotten!

This is the 10 CD boxed set published by the Label Box 10 CDs containing recordings of great performances of great works of Giacomo Puccini. From Manon Lescaut, the Madame Butterfly, Tosca at the Fanciulla del West.

A collection of historical recordings dating from 1930 al1950 with exceptional performers such as Maria Zamboni, Beniamino Gigli, Maria Caniglia, Afro Poli, etc.. But who has heard me say if he found the unforgettable voice of Galliano Masini content Livorno ( 1896 to 1986 ) , because I remember that maybe it was one of the greatest interpreters of music by Puccini.

If I remember only if you have forgotten one thing: the 25th anniversary of the death of Puccini was celebrated in 1949 with the opera "La fanciulla del West" at Torre del Lago. content Galliano Masini, soprano Maria Caniglia.

Galliano Masini and Maria Caniglia on the cover of Life magazine

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Roberto Michelucci, an artist from Livorno forgotten.

asserts an old saying: "It's always hard to be a prophet in his "just to witness that often your country or your hometown is the last place in the world to celebrate the achievements of their children.

This has happened to famous painters, such eminent men of science or the show and I've had in some respects, a direct testimony with many members of my family (Guido Guidi, Gino Guidi, Galliano Masini, Guidi Bruno, etc.). why, when news of the newspaper The Nation November 27, 2010 I read an article entitled "The Baroque violin Michelucci" signed Mario Michelucci (the son?) I felt honored and asked to remember and make room on my humble blog to our great fellow violinist.

Roberto Michelucci (Livorno 1922 - Firenze 2010) was a talented violinist. He studied at the Conservatory of Florence and in Rome he won first prize in the Festival Concert. From 1967 to 1972 he was first violin of the Chamber Orchestra "I Musici" , With whom he recorded several albums winning a gold in Tokyo in 1972. Much of his work, dedicated to educational tasks, but it should be noted, however, that the artist has performed for many years in the most famous theaters in the world with a vast repertoire ranging from Baroque to the Romantic and contemporary art. He has had many international awards with her work between '57 and '62 has won three Grand Prix du Disque in Paris in 1967 was invited (first time an Italian) to play at the Salzburg Mazarteum, but His appearances in theaters Leghorn were very irregular.

a pity!

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Ghirlandaio, a family of painters of the Renaissance between Florence and Livorno Scandicci

The exhibition presents a spectacular collection of some of the finest works of the clan Ghirlandaio: Domenico as a parent, brothers David and Benedict, the son Ridolfo, students (including Lorenzo di Credi and Granacci) and those formed in their shop, which operated for nearly a century, the second half of the fifteenth to the early sixteenth century.

The headquarters of the exhibition is located in the beautiful rooms, recently renovated, the Castle dell'Acciaiolo Scandicci.In parallel to the exhibition, a fascinating journey through churches and small museums in the north west of Florence takes visitors on the trail of the artistic activity of Ghirlandaio in the territories in which they were industrious.

The route embraces the ancient Abbey of S. Salvatore and S. Lorenzo Seventh in Scandicci: the hand of Domenico is recognized in the beautiful plumes of the apse fresco in a picturesque and Adoration of the Magi.

In the town of Campi Bisenzio not miss the frescoes by Domenico embellished in the nave of the Church of St. Andrew in San Donnino.

Closing the path will be a tribute fitted to the painter in Florence in the Palazzo Medici Riccardi.

Biographical notes:

Domenico Ghirlandaio, the founder, was named Domenico Bigordi really. To him and to all members of his family was given the nickname "Ghirlandaio" because the father of Dominic, a talented goldsmith, was particularly good at making jewelry in the shape of wreath.

The original territory of Scandicci Dominic was, but in the first half of the fifteenth century his entire family moved to Florence, then capital of the world (but I think even today) to boost the art and its development " workshop ".

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A show of Franco Gentilini


The Galleria Guastalla Centro Arte, Gentilini with the cooperation of the Archives of Rome, presents a retrospective of the artist on the anniversary of Franco Gentilini 100 years since birth, after the success of the Great Exhibition held to mark this event at the Museo della Permanente in Milan.

On display from November 20 to January 22, 2011, will be exhibited 40 paintings, gouaches, drawings and prints of the artist who died in Rome in 1981. There are represented a bit 'all the techniques used by Gentilini, and other issues: the naked, the female faces, still lifes, the cathedrals, the bridges of New York, cats, banquets, landscapes.

Biography:

Gentilini (Faenza 1909-Rome 1981) is considered one of the largest Italian figurative artists of the twentieth century. Her works have always fought for by collectors, are in major museums and public collections including the Uffizi Gallery in Florence, the Vatican Museum, the Pinacoteca Comunale di Faenza, the Centre for Communication Studies and Archive in Parma, the National Gallery of Modern Art and Montecitorio to Rome. To celebrate the centenary of the birth of the artist retrospectives were held in various public spaces (Pericles Fazzini Museum of Assisi and the Museo della Permanente, Milan).

GUASTALLA ART CENTER

Via Roma, 45-57126 LIVORNO

PHONE AND FAX: 0586 808518 / 813514

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Marc Landi, a poet, a painter, an artist.




Marco Landi (Cecina (LI) 1916 - Rome, 1993) was a painter and poet Italian.
signed in 1948, with the poet and painter Guido Favati Voltolino Fontani, Sirius Angelo Pellegrini, Aldo Blacks, the Manifesto dell'Eaismo participating in group exhibitions in 1949 at the Casa Dante eaista of Florence, in 1953 the House of Culture in Livorno and in 1959 the gallery Pascucci Grosseto ..
The fifties were also years of intense literary activity, which culminated in winning the poetry prize "Città di Firenze" (1955) and the poetry prize "Citadel" (1956)

In the sixties he formed with the painter Voltolino Fountains and Sirius Angelo Pellegrini group painting of "The Last" and began to exhibit continuously at Bottega Art Livorno, DEVELOPING a painting with a strong spiritual impression. In 1970 he won the prize for poetry "Montebelluna" and in 1983 the "National Literary Award" in Pisa. In 1977 he moved from Rome to Livorno. That same year, in his honor, was held in Livorno on "national prize for poetry Marco Landi," which will last until 2001.
The last years of his life were very difficult: poor health and some mental problems fatally slowed his activities until his death.
Livorno remained in his heart, so carry a poem that stresses in tormenting his feelings:

LIVORNO MIA

(To the friends that I do not see Moreover, those lost, removed, gone.)

Were you there to
Rocks Queen
and come from the bottom
between roses and tamarisk
and calls, calls
perhaps the God of our horizons.
We'll meet again, on the terrace
gold

when the moon steals the ships, there
I left you, now I find that

ghosts that bring me memories of the algae
:
you've been watching the boats
who know the sea floor
and roads of the sky. Livorno
my
Do not forget me, I cheated once


as a black soldier who no longer belonged to this world
. Livorno
my
I was a black soldier who carries a cross


Marcello Landi