Wednesday, January 5, 2011

Party Hut Canvas Cover

Lemon

Lemon, 2011
Oil on wood, 12,5 x15

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50S CLASSIC CLASSIC NEO

Who is behind the face stunned, thinking the young pastor fido, immersed in the culture of neo-classical to the marrow?
There is the signature design in this intense and large-format, which was acquired in Rome, but only a date in France in August 1808 (the rest of the ear is mature in her hair) and a writing award at the back of the picture:
Guillaume Guillon Lethe,
born in Sainte-Anne (Guadeloupe) January 10, 1760 and died in Paris April 22, 1832, is a French painter, first half-breed to establish itself in the European art world, a natural Son
freed slaves of Guadeloupe, from name Marie-Françoise and of the public prosecutor in Guadeloupe, Pierre Guillon, who recognizes him, in Paris, 18 germinal annno VII, Lethe manifested from childhood special preparation for painting, who convinces her father to send him to France in 1774. Housed at Descamps
initially moved to Paris and began working for the painter to the king, Doyen, with whom he remained until 1786.
obtained the Grand Prix, he left for Rome. Witnessed great efforts by prominent artists, aimed to return the painting to the study of antiquity, was determined to follow. Achieved great success in Rome and his studies are very popular in France. Back in Paris in 1792, consolidating its reputation with great works, which earned him the appointment in 1807 as director of the Académie de France à Rome, where he remained for ten years.
vermente will he? There is a historical period that can give their opinion?

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THE ROOFS OF ROME ITALY

A canvas with strong marks, dating from the early '900.
Obviously not signed with a Roman landscape as protagonist. A work of high quality composition, plans and volumes that degrade the horizon, a view taken live from the terrace of a palace. As used in those years. A modernist style, which seems to unite the past with new theories of form and color. And seeking to recover their identity.