50s full, maybe something less ('47-'49). Something more difficult. A compositional more reminiscent of northern Europe, but that was in Italy as teachers and Spazzapan Birolli abroad Riopelle, Schumacher.
Oil (and perhaps mixed media) on canvas, from the collection of a Superintendent of Cultural Heritage of those years. And a signature difficult to read ... ... Marit Narit Maut .... ....... seems un'anagramma. A work that exudes a painting adult, not improvised, which makes us think of Germany, the Netherlands, France. And to you, that makes you think?
Signature |
Spazzapan, 1947 | |
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