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The great photographer Roger Ballen Photography in Seravezza

eighth Seravezza Photography from 29 January to 3 April each year that successfully combines the great names in international photography by amateurs, organized by Fondazione Terre Medici , Department of Culture and the Municipality of Seravezza FIAF (Italian Federation of Photographic Associations) under the artistic direction of Free Musetti .

This year's guest of honor is the American photographer Roger Ballen , which displays black and white images from the four cycles Outland , Shadow Chamber, Boarding House and Birds.

Roger Ballen (New York, 1959) is a singular artist fascinated by South Africa, which follows a complex and very thick where the thread is to use the camera to scan the human soul. The son of a famous photo-editor of the agency Magnum Photos, has the opportunity to learn as a child of the biggest names in the photography world. In the late sixties documents the protests against the war in Vietnam. At the same time he moved to Berkeley from New York where he attended the University of California, majoring in psychology in 1972. In 1981 he moved to South Africa and finally abandoned the American way of life for him too little consumption, and introspective. From there he began his artistic journey that takes him from a first documentary approach to a very subjective. His photos are real events where objects, actors and graphical components are mixed and enhance the sense of the image. Click fascinating, unique and full of meaning in the sign of a personal photographic language that makes its sculptural elements and graphics.

Ballen's works are exhibited in prestigious galleries world: Museum of Modern Art in New York, Centre Georges Pompidou in Paris, Victoria & Albert Museum in London and the Stedelijk Museum in Amsterdam. She also received numerous awards, including how to best photograph edition of the festival "Photoespana" Best Photographer of the Year Festival of Photography in Arles and a special mention to Unicef.

Roger Ballen (New York, 1959) is a singular artist fascinated by South Africa, which follows a complex and very thick where the wire conductor is to use the camera to scan the human soul. The son of a famous photo-editor of the agency Magnum Photos, has the opportunity to learn as a child of the biggest names in the photography world. In the late sixties documents the protests against the war in Vietnam. At the same time he moved to Berkeley from New York where he attended the University of California, majoring in psychology in 1972.

In 1981 he moved to South Africa and finally abandoned the American way of life for him too little consumption, and introspective. From there he began his artistic journey that takes him from a first documentary approach to a highly subjective. His photos are real events where objects, actors and graphical components are mixed and enhance the sense of the image. Click fascinating, unique and full of meaning in the sign of a personal language photographer who makes his sculptural elements and graphics.

Ballen's works are exhibited in prestigious galleries world: Museum of Modern Art in New York, Centre Georges Pompidou in Paris, Victoria & Albert Museum in London and the Stedelijk Museum in Amsterdam . She also received numerous awards, including how to best photograph edition of the festival "Photoespana" best photographer of the year at the Festival of Photography in Arles and a special mention to Unicef.

From the day February 1 is available in libraries of the exhibition "Photography Seravezza 2011" edited by Maria Pacini Fazzi.

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Apple and Landscape, 2011 Oil on

table, 20x24

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2011 published the proceedings of a conference of studies on the Counts Guidi

The long story of a family of counts. The Guidi between Romagna and Tuscany. Proceedings of the Conference of studies (Modigliani-Poppi, 28-31 August 2003)

These studies are presented in a book published by Feltrinelli as evidence of great historical and cultural ch this ancient family and raised in Emilia and Tuscany.

Camila Rodriguez Angel

Village with landscape painter.

Like when returning from a long journey you take to do things the same as before and are enriched by the encounters, the knowledge and experience, so after a journey in painting from life back to paint fancy flying men and villages ...

painter who paints the sky, 2011

oil on panel, 24x20

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mountain road

mountain road,

2010 Oil on wood, 12 , 5x15

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From January 29 to the Museums of San Domenico Melozzo Forlì

The exhibition more compl eta ever proposed: The masterpieces of Mantegna, Piero della Francesca, Raphael and Bramante, joined by those of the master Forli.

29th Genna I to June 12, his hometown - Forlì - celebrates with the most comprehensive exhibition ever to have been dedicated. San Domenico will be exposed to virtually every mobile operating the artist, bringing even the colossal cycle of frescoes he created for the apse of the Church of the Holy Apostles in Rome, Vatican Museums and cycle between dispersed Quirinale.

The exhibition will also masterpieces large, by Mantegna, Piero della Francesca (in the show, for the first time, his "Madonna of Sinigallia

by Bramante in Berruguete, which drew Melozzo teachings and suggestions, or who, like Fra Angelico, Mino da Fiesole, Antoniazzo Romano, attended the papal Rome.

Pier della Francesca

Some Blouse Designs Indian

BALE-Rini, who was he?

The signature reads A. Ballarini (or dancers). The style is the second post cubist or futurist. It works, sometimes monochromatic, are dated between the 40s and 50s. A dozen paintings, gouache on paper or cardboard, from a Roman gallery closed in the '80s, and of considerable impact. Three possible assignments, not convincing for an author and a style never crossed on the market. Does anyone have a track to recommend?

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Mountain scenery

's been several years since I took this picture of this mountain landscape. I met again taking a look at old photos and just now I had the desire to paint this mountain.

happen to me so "things" do not try but I find the meeting.

Mountain Landscape, 2011

Oil on canvas, 40x49

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ADVANCED RUSSIAN OR COPY OF TIME?

Opera cubo-futurist copy of the Russian avant-garde period. Oil Painting on thick card, cm. 44X64 dated 1924 and signed in Cyrillic (SH K?). With small traces of wear and tear.

A work of great effect, but also raises some doubts. From Germany, where it was purchased many years ago. And the fluorescent light, to which the work was submitted, it seems painting is not recent, and perhaps coeval with the period to which it relates.

What then is wrong?

That's too perfect. With the date, and with a composition that would reveal a great teacher if we could even make out the signature. A doubt supported by the many fakes in circulation. Or worse (because more difficult to detect) from the works produced by students to study German and Russian Academies in the '40s and '50s. Is there someone, an expert on Russian avant-garde, which can help us out?

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GRAND TOUR AND COUNTRY ROMAN

The pencil drawing, great quality, made in the second half of the 800 back on the mat the inscription: "Donna Terracina " and a signature on the paper now completely illegible. Business therefore not easy to go back to its author, although an initial analysis of the seabass and clothing appropriate to the area indicated and may be referred to the band that runs from Terracina to Gaeta through funds.

The picture comes from an antiquarian bookstore in Turin, and was part of the legacy of an important library in Turin. Perhaps the French author, or at least in northern Europe. What else can I say? What drew 800 from another planet, and that when you look at the design seems to feel that the grains fall into the basket.

Images panel RUDOLF AUGUST WILHELM LEHMANN (1819 - 1905) exhibited at the exhibition Victorian Roman countryside (which the sketch was the preparatory drawing) traced through the signaling network (see note) .
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Gino Severini, SI, Oh well '...

Tempera on paper was wrapped in a wrapping of tissue paper yellowed from the home of writer and screenwriter Massimo Franciosa. And in pencil included, regardless of our doubts, the letters written in Illustration by Gino Severini. Written apparently coeval with the card. Basta.

Thus was born one of the most entertaining art lovers. Going to the sources, looking for feedback and confirmation. A path that, until now, has not brought us anywhere. For the vast production of Severini, but also for style diversity adopted in the '40s and '50s. Not disdaining the kind of illustration for magazines and companies.

Maybe a collection of postcards, or magazines of the era, can help. To give a paternity. Or deny it forever.

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ROMAN SCHOOL, BUT WHO? AAA

The style is unmistakable for this oil on cardboard, years 30's of great quality. A still life ever so alive for the author's give volume to the objects and light bodies.

"Scuola Romana", then, for the collection of origin. But especially for the technical capacity and the atmosphere that evokes the quadto. For that perspective squint, which puts the spotlight on painting and subject. The names that come to mind are Charles Socrates, Alberto Ziveri, Onofrio Martinelli, Riccardo Francialancia. Someone will read something more?

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Red Rose, 2011 Oil on board

, 12.5 x15

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FUTURIST WANTED.

interesting pieces, small in size (cm. 25.8 x 20cm), but full of mystery.
Oil on wood, slightly bent, probably made toward the plate to print a table of which is yet in sight design : a dog near a bed, referring to the style of the first 900. A detail that could be very interesting to help in the allocation.

The formal approach would immediately think of Giacomo Balla, period 1913-1915. The work, however, could also be the work of the circle with futurist Balla and Boccioni had good attendance during the demonstrations in Rome interventionist.
anyone be able to recognize paternity. The attribution to dance and go?

Notes: Track worm holes on the surface and painting in recent times. Origin, Rome, 90.

Retro

Giacomo Balla, 1914

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ANTHONY AND THE MYTHICAL Demonios

The Temptation of St. Anthony.

A classic subject of Christian iconology, for work that is truly an enigma. Painted in tempera on wood, sketched with no apparent plan of preparation. The hand is of great quality, especially as the figure of the saint, with a much freer, olegrafico, anecdotes and popular in the figures of demons and the Savior. Apparently for compositional style ra pportabile between the last decade of the sixteenth century. the first three decades of the seventeenth century.

Much more complex is the source of the work experience in Eastern Europe, as the accompanying note, but reported a general reference to the origin of the Iberian Peninsula (sic).

An issue that is not some loose language used by a comment and not understandable, or at least able to afford adiverse interpretations. Clearly derived from Latin, but with variants of the vernacular that were not included.

"istoriacomoaquale aronlodemonions .... that seem written in greek

then written a readable as Antonio (with syllabic variant) and a signature is not encrypted (San. .. binsobis ...). The reference is clearly to Sant'Antonio Abate, but recall the words semprebbe St. Anthony of Padua.

The speed of execution and the lack of preparation suggests a realization of the project, perhaps a monastic area, or an artist visiting or traveling.

The table has been supports rifornzarzata, probailmente a century later, with side cross.

/ san

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Rosa Rosa Rossa Mela

Rosa, 2011

Oil on canvas, 12.5 x 15

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.

50s full, maybe something less ('47-'49). Something more difficult. A compositional more reminiscent of northern Europe, but that was in Italy as teachers and Spazzapan Birolli abroad Riopelle, Schumacher.

Oil (and perhaps mixed media) on canvas, from the collection of a Superintendent of Cultural Heritage of those years. And a signature difficult to read ... ... Marit Narit Maut .... ....... seems un'anagramma. A work that exudes a painting adult, not improvised, which makes us think of Germany, the Netherlands, France. And to you, that makes you think?

Signature

Riopelle, 1946

Spazzapan, 1947

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Today (Saturday) I plan to paint a picture a bit 'big, I had no particular grounds and had all the time at my disposal, but as sometimes happens with too much time availability and security ... I finally removed and thrown it all away.

but I did not finish the day in this way and then, before you wash the brushes, I painted an apple ...

Mela, 2011

Oil on wood, 12,5 x15